Upset The Rhythm presents…
Thursday 11 October
OSLO, 1a Amhurst Road, Hackney, London, E8 1LL
7.30pm | £8 | https://wegottickets.com/event/440999
VIRGINIA WING are an inventive psych-pop duo based in Manchester, who take their name from Grace Slick’s mother. Consisting of Alice Merida Richards (Vocals, Synths, Organ) and Samuel Pillay (Synths, guitar, noises, bass), their music is a sprawling amalgamation of experimental pop songs with texture, depth and nuance; daring, progressive and forever bold. After two previous stunning albums, Virginia Wing return on June 8th with renewed strength, optimism and clarity for their new album ‘Ecstatic Arrow’ (Fire Records).
’Ecstatic Arrow’ borrows from the heterogeneous terrain of The Flying Lizard’s ‘Fourth Wall’, the exuberant technology assisted pop of Yellow Magic Orchestra and the playful sophistication of Lizzy Mercier Descloux, arriving at the evergreen intersection of pop music and conceptual art. The voice of Alice Merida Richards is more compelling and expressive than ever. The glacial deadpan of previous records has given way to a more candid, self-possessed delivery, showing an appreciation for the humour and tragedy innate in the downtown Arcadia of Laurie Anderson, Robert Ashley or even Lynn Goldsmith’s Will Powers. It’s with this voice that Richards outlines a simple ideality that fortifies the entirety of the album – inequality pervades, destructive behaviours are inherited and each subsequent generation has to reconcile the debts of its precursor – yet a space exists within ourselves and each other that houses a fact we must be reminded of – we have the ability to choose.
TRASH KIT are Rachel Aggs, Rachel Horwood and Gill Partington. They have a wild feel for melody, writing songs that pull at the reins with a spontaneous charm. Their music is primal yet thoughtful, affirming yet sincere, drawing on the potential of post-punk and the naturalism of an internal folk music. Although Trash Kit have their forebears in bands like X-Ray Spex, The Ex and The Raincoats, their sound is very much their own take on facing forwards. Galloping polyrhythms, overlapping sung-spoke lyrics and entwining guitars are all drawn together into a taut unity, sounding wilfully alive. Both Rachels tangle their vocals with each other whilst expressive drumbeats and restless guitar flurries provide the rhythmic drive. Trash Kit's music is full of pauses, woven silence and punctuation too, and this is where the resonant bass lines find a perfect home. With two albums under their belt for Upset The Rhythm, Trash Kit are currently adding the finishing touches to their incredible third record.
MICH COTA’s identity has always been ingrained with the language of sound. As a two-spirit woman, raised by a native father and a white mother in Southern Ontario, Cota began composing small melodies on the piano from the age of three to create her own sacred space in an intensely religious home. Inspired by her countryside surroundings, she would ingrain herself in nature, imagining herself in a place free of theology and restraint. This is something Cota has carried with her throughout her creative existence. Her music is a way of navigating past traumas while exploring her queer experience, with open, unapologetic sincerity. It's through her artistic expression that she relates to others, to build collective understanding and empathy, with the intention to heal and to challenge normative ways of being.